AMICO Sample Records
Catalog Record in Data Dictionary Format
| AID | MIA_.95.14a-bb | |
|---|---|---|
| OTY | Decorative Arts and Utilitarian Objects | |
| CLG | ||
| CLT | embroidery | |
| CLS | AAT | |
| CLG | ||
| CLT | boxes (containers) | |
| CLS | AAT | |
| OTG | ||
| OTN | Embroidered Box | |
| OPP | 1 | |
| MET | H.11-3/4 x W.11 x D.8 in. (overall) | |
| MEG | ||
| MCM | overall | |
| MED | height | |
| MDV | 11.75 | |
| MDU | inches | |
| MEG | ||
| MCM | overall | |
| MED | width | |
| MDV | 11 | |
| MDU | inches | |
| MEG | ||
| MCM | overall | |
| MED | depth | |
| MDV | 8 | |
| MDU | inches | |
| OMG | ||
| OMD | silk, metallic threads on white satin, decorated with seed pearls, wood, metal | |
| OMT | embroidering | |
| OMM | silk | |
| OMM | metallic thread | |
| OMM | seed pearls | |
| OMM | metal | |
| OMS | wood | |
| OMS | satin | |
| OIN | Signature, Date | |
| CRG | ||
| CRT | Unknown | |
| CRN | Unknown | |
| CRC | British | |
| CRR | artist | |
| OCG | ||
| OCT | 1662 | |
| OCS | 1662 | |
| OCE | 1662 | |
| SUG | ||
| SUI | This box tells the Old Testament story of Queen Esther. | |
| SUT | Old Testament | |
| CXG | ||
| CXD |
Needlework has always been an important art for of England. In the 17th century, a unique style of raised work embroidery was developed and in its most elaborate form was used to pictorially embellish decorative boxes used to store one's personal treasures. This piece, one of the finest of its kind, tells the Old Testament story of Queen Esther, whose intelligence and diplomacy saved her people from persecution. |
|
| OOG | ||
| OON | The Minneapolis Institute of Arts | |
| OOP | Minneapolis, Minnesota, USA | |
| OOA | 95.14a-bb | |
| OOC | The John R. Van Derlip Fund and gifts in honor of Mary Ann Butterfield, textile conservator at The Minneapolis Institute of Arts, on the occasion of her retirement | |
| ORG | ||
| ORS | Permission for educational use only granted by The Minneapolis Institute of Arts | |
| ORL | http://www.artsmia.org/restrictions.html | |
| RIG | ||
| RIP | Y | |
| RID | Full view | |
| RIR | HasFormat | |
| RIL | MIA_.2346c.tif | |
| RIG | ||
| RIP | N | |
| RID | Three-quarter view | |
| RIR | HasFormat | |
| RIL | MIA_.2934c.tif | |
| RIG | ||
| RIP | N | |
| RID | Left side | |
| RIR | HasFormat | |
| RIL | MIA_.2936c.tif | |
| RIG | ||
| RIP | N | |
| RID | Right side | |
| RIR | HasFormat | |
| RIL | MIA_.2938c.tif | |
| RIG | ||
| RIP | N | |
| RID | Front | |
| RIR | HasFormat | |
| RIL | MIA_.2940c.tif | |
| RIG | ||
| RIP | N | |
| RID | Back | |
| RIR | HasFormat | |
| RIL | MIA_.2942c.tif | |
| RIG | ||
| RIP | N | |
| RID | Detail | |
| RIR | HasFormat | |
| RIL | MIA_.2944c.tif | |
| RIG | ||
| RIP | N | |
| RID | Lid | |
| RIR | HasFormat | |
| RIL | MIA_.2946c.tif | |
| RIG | ||
| RIP | N | |
| RID | Front | |
| RIR | HasFormat | |
| RIL | MIA_.2948c.tif | |
| RIG | ||
| RIP | N | |
| RID | Detail of open box | |
| RIR | HasFormat | |
| RIL | MIA_.2950c.tif | |
| RIG | ||
| RIP | N | |
| RID | Detail of open box | |
| RIR | HasFormat | |
| RIL | MIA_.2952c.tif | |
| RIG | ||
| RIP | N | |
| RID | Detail of open box | |
| RIR | HasFormat | |
| RIL | MIA_.2954c.tif | |
| RIG | ||
| RIP | N | |
| RID | Detail of open box | |
| RIR | HasFormat | |
| RIL | MIA_.2956c.tif | |
| RMG | ||
| RMD | Museum Director and CEO, Evan Maurer, leads visitors through a personal tour of some of the most popular works in the collection. | |
| RMR | References | |
| RML | MIA_.9514.ram | |
| RMG | ||
| RMD | Textile artist Kaffe Fassett disscusses the inspiration of the Embroidered Box in a excerpt from the Interactive Gallery Program <i>Material Witnesses</i> | |
| RMR | References | |
| RML | MIA_.Kaffe.ram | |
| DCG | ||
| DCB | Soth: MIA Photo/Scanning Services | |
| DCD | 3/26/98 | |
| AVD | 20000606 | |
| AVV | 1.2 | |
| ALY | 1998 | |
In June of 2005, the members of the Art Museum Image Consortium voted to dissolve their collaboration. This site remains online for archival reasons.